BlazeVOX26 Spring Issue Launches May 15th

The arrival of a new issue of BlazeVOX always feels a little miraculous to me. After twenty-five years of publishing innovative poetry and prose, I still experience that same sense of anticipation in the days before an issue goes live: the final edits, the last formatting decisions, the quiet excitement of knowing that soon these voices will move out into the world and begin speaking to readers in their own ways.

I am very happy to announce that the Spring 2026 issue of BlazeVOX26 is officially live

You can read the full issue here:
🔗 https://www.blazevox.org/blazevox-journal/blazevox26-spring-2026


This issue arrives during an especially meaningful year for us, as BlazeVOX celebrates its 25th anniversary. Reaching that milestone feels both impossible and strangely inevitable. Independent literary publishing is built on persistence, community, and an almost irrational faith in the importance of language. Small presses survive because people continue to believe that poetry matters, not as decoration, but as a necessary way of engaging the world.

For twenty-five years, BlazeVOX has tried to remain open to work that surprises us. We have always sought poetry that risks something formally, emotionally, or intellectually. We have welcomed the difficult, the playful, the strange, the luminous, and the voices that may not fit neatly into established categories. Contemporary poetry remains alive precisely because it continues to reinvent itself, issue after issue, writer after writer.

Putting together this Spring issue reminded me again how much poetry resists simplification. The world often demands quick conclusions, flattened language, and immediate certainty. Poems rarely operate that way. They slow us down. They ask us to remain attentive. They create spaces where contradiction, vulnerability, humor, grief, and beauty can exist simultaneously. In difficult times, that kind of attention feels increasingly essential.

Thank you to everyone who contributed work, supported the journal, read past issues, shared links, attended readings, bought books, and helped sustain this ongoing project over the years. BlazeVOX has always been a collaborative act of belief in literature and community.

Geoffrey Gatza

Bio Note: Geoffrey Gatza is the author of the poetry collections The House of Forgetting (2012), Apollo: A Conceptual Poem (2014), and A Dog Lost in the Brick City of Outlawed Trees (2018).

 

Divya Victor, in an article for poetryfoundation.org, said of Apollo: A Conceptual Poem “The diversity of these works echoes the complexities of the subject, but together they posit something specific, the heightened relationship between the interior self and the exterior world.”

 

Gatza’s poems have been published in anthologies, as well as magazines and journals including Fence, Tarpaulin Sky, The Pickled Body, Peach Mag, Tupelo Quarterly and various others. His play on Marcel Duchamp was staged in an art installation in Philadelphia and performed in NYC.

 

Gatza is an award-winning editor, publisher and poet. He is the driving force behind BlazeVOX, an independent press located in Buffalo, NY, specializing in innovative fictions and wide ranging fields of contemporary poetry. Geoffrey Gatza is lives in Kenmore, NY.

editor@blazevox.org

http://www.blazevox.org

http://www.blazevox.org
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Geoffrey Gatza’s recovery update, and upcoming readings