BlazeVOX an.online.journal.of.voice

Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world

BlazeVOX26 Spring 2026
Celebrating 25 Years

Table of Contents


Welcome to the Spring 2026 issue of BlazeVOX!
We’re delighted to share this vibrant new collection of poetry, fiction, text art, visual poetry, and compelling works of creative non-fiction from writers across the globe. Dive in through the links below, or enjoy the entire issue via our embedded Scribd PDF—available to read online or download for free to take with you anywhere, on any device. Hurray and onward!

Poetry

Alicia Askenase
Andrew Cyril Macdonald
Ben Macnair
Chitungue Machai
CL Bledsoe
Clif Mason
dan raphael
Darren C. Demaree
David Miller
David Wolf
Eddie Heaton
G. H. Mosson
George Freek
George K. Karos
Gordon Scapens
Greg Tome
Gregory Wallace
Jackie K. White
Jason Gordy Walker
JB Malory
Jim Johnson
Joel Lewis
Joey Whitton
John Grey
John Sweet
Joseph Farley
Josepha Gutelius
Joshua Martin
Joshua Zeitler
Juanita Rey
Justin Hollis
Karen S. Henry
Lee Varon
Leigh-Anne Burley
Luís Leal Moniz
Lynn Wolfe
Maceo Nightingale
Marcia Arrieta
Marjorie Sadin
Mark DeCarteret
Mark Jackley
Mark Young
Mélisande Fitzsimons
Micah Cavaleri
Michael Roque
Olchar E. Lindsann
Partha Sarkar
Patrick Theron Erickson
Paula Pennell
Peter Waldor
Raphael Moser
Rob Burton
Roger G. Singer
Rose Knapp
Samantha Lucia
Sarah Sarai
Scott Keeney
Scott Taylor
Seth McKelvey
Thomas Fink
W. N. Weaver
William Pruitt


Fiction

Capsule Biography Number 49 - Ólafur Agnarsson
Ben Guterson

To End Suffering
Ethan Goffman

Watching and Falling
Elizabeth Cohen

The Incomparable Milk Of Wonder
Frank Dax

Like A Bunch Of Screeching Monkeys
Richard Klin

The Gas Attendant
S.W. Campbell

Superposition
Gina Maranto

Wisdom Teeth
Kathryn Martello 

Bee Stung
John Tavares

Pools
Jayden Braddock

The Mannheim Rocket
Martin Kleinman


Poetry Extra

Wild Card Up My Sleeve
Charles Borkhuis

Spread Out — lyric essay
Andrea Nicki

3 Locations [By Degree]
Anna Mantzaris 

Three Poems
Harrison Fisher

Symphony of the Self |Selection of 5 poems
Ioana Dinca

Selections from This Stone: the Cantos
Micah Anthony Cavaleri

merrily merrily merrily
William Routhier


Poetry Extra Extra

Quantum Poetics After the Glitch: A Field Manual
Igor V. Satanovsky, with contributions by
mIEKAL aND and Murat Nemet-Nejat.

The essay (with contributions by mIEKAL aND and Murat Nemet-Nejat) introduces a new operational approach to poetics—field-based protocols, quantum-inspired reading, and compositional tools for superposition, interference, and observer-dependent meaning. Not a theme piece; more a field manual—operational, demonstrative, and invitational.


Literary Nonfiction

Walking the Streets at Night
Daniel Miltz


Vispo & Text Art

An excerpt (n94) from a long experimental project, Noetic Variations 
David A. Bishop

seven visual pieces
Mark Young

three visual poems
Michael Sutton

Nathan Whiting
5 Polytopic Poems

3 New Works
Nicholas Alexander Hayes

8 Works
Peer Smits

Acta BiographiaAuthor Biographies

Letter from the Editor

Spring arrives with its usual insistence, quiet at first, then undeniable. It is a season that does not argue its case so much as demonstrate it: light returns, color gathers, and what seemed dormant reveals itself as merely waiting. In that spirit, we bring forward this new issue of BlazeVOX, an online journal of voice, shaped by renewal but never naïve about the conditions that make renewal necessary.

This year also marks our 25th anniversary, a span of time that feels both improbable and entirely natural. What began as a small, persistent effort has grown into a sustained conversation, one that has always welcomed experiment, risk, and the necessary strangeness of contemporary poetry. If there is a guiding principle, it is this: to remain open. Open to voices that do not yet have a place, open to forms that do not yet have a name, open to the possibility that language still has work to do in the world.

And the world, as ever, gives us reason for that work. We are not insulated from difficulty, nor should we be. Poetry does not solve the problems it encounters, but it does something equally vital, it makes a space in which we can think, feel, and remain present. In moments when language is flattened or rushed toward conclusion, the poem and prose resists. It pauses. It listens. It insists on a more careful attention, which may be one of the few saving graces we can reliably return to.

Thank you, as always, for reading, for contributing, and for continuing this shared project with us. If spring teaches anything, it is that continuation is its own kind of renewal.

Geoffrey Gatza
Editor, BlazeVOX [books]



IntroductionIntroduction

Editor’s Introduction 
Geoffrey Gatza

In this issue of BlazeVOX, we do not seek definitive answers but instead dwell within the generative power of questions. With a subtle, minimal aesthetic, the works gathered here engage with the idea of public space—those shared, open zones where anyone might act, gather, intervene, or simply exist. We turn our attention to spaces that resist private ownership and economic utility, spaces that are, by nature, marginal, overlooked, and uncommodified.

The contributions to this issue thrive on the accidental, the coincidental, and the unexpected. They construct surprising analogies and revise traditional literary narratives through moments where fiction and reality intersect. Dreamlike in their logic, these pieces allow tropes to merge, meanings to shift, and timelines to collapse—where past and present, memory and immediacy, cohabit the same page. Time, as ever, remains a central axis of inquiry.

As we search for new ways to read the city, the texts assembled here engage with post-colonial critique, avant-garde and postmodern aesthetics, and radical democratic thought. In doing so, they offer acts of resistance—formal, political, poetic—against the prevailing logic of late capitalism.




What emerges are works in direct contact with architecture, environment, and the elemental conditions of daily life: energy, light, water, land. These are examined through less conventional lenses, occasionally spiraling into the absurd or surreal.


Rather than reinforce passive modes of consumption, these works create situations—performative, associative, unpredictable—intended to provoke personal meaning-making. Formal disjunctions invite readers to build their own systems of interpretation. Through this, the journal extends a proposition: that literature might reflect how life exceeds its boundaries, its taxonomies, its imposed narratives. These pieces gesture toward the porous borders between the self and the world, the familiar and the foreign, the “civilized” and the “cannibal”—revealing, in the process, the entangled legacies of cultural exchange and global transformation.

We invite you to read with openness and curiosity.

Rockets! 
Geoffrey Gatza, Editor 

 

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