A Living Conversation: Entwine by Mary Newell Reviewed at NewPages

We’re delighted to share a thoughtful new review of Mary Newell’s Entwine, published this week at NewPages and written by poet and critic Jami Macarty. The review beautifully captures the meditative depth and ecological intimacy that make Newell’s collection so extraordinary.

Macarty describes Entwine as a “reverent exploration” of connection—an invitation to notice how human and more-than-human lives are bound together. From her Hudson Highlands home, Newell listens closely to the living world, and her poems respond in kind: humble, curious, and filled with a pulse of shared vitality.

“Totem oak, may I call you kin, care for your wounds?”
Entwine

In her review, Macarty highlights Newell’s inventive use of form and language. Entwine moves across prose poems, acrostics, and scattered-field compositions—each shape reflecting a living system in motion. Hyphens, gaps, and pauses become part of an ecological syntax, echoing the rhythms and silences of growth, dispersal, and renewal. The result, Macarty writes, is a “heart-proximal almanac,” where words and world coexist in luminous attention.

Macarty also notes that Newell’s work resists romanticism. Entwine acknowledges loss and fragility—climate shifts, species decline, the ache of separation—without losing sight of wonder. The poems offer not answers but a stance: one of care, reciprocity, and reverence for life’s interwoven continuities.

Entwine, as this review makes clear, is not simply a collection of poems but a conversation—an act of attunement that asks us to listen more deeply to the world we inhabit.

Read the full review here:
👉 Entwine by Mary Newell” at NewPages


And explore Entwine from BlazeVOX [books] here:
📖 Entwine by Mary Newell


Geoffrey Gatza

Bio Note: Geoffrey Gatza is the author of the poetry collections The House of Forgetting (2012), Apollo: A Conceptual Poem (2014), and A Dog Lost in the Brick City of Outlawed Trees (2018).

 

Divya Victor, in an article for poetryfoundation.org, said of Apollo: A Conceptual Poem “The diversity of these works echoes the complexities of the subject, but together they posit something specific, the heightened relationship between the interior self and the exterior world.”

 

Gatza’s poems have been published in anthologies, as well as magazines and journals including Fence, Tarpaulin Sky, The Pickled Body, Peach Mag, Tupelo Quarterly and various others. His play on Marcel Duchamp was staged in an art installation in Philadelphia and performed in NYC.

 

Gatza is an award-winning editor, publisher and poet. He is the driving force behind BlazeVOX, an independent press located in Buffalo, NY, specializing in innovative fictions and wide ranging fields of contemporary poetry. Geoffrey Gatza is lives in Kenmore, NY.

editor@blazevox.org

http://www.blazevox.org

http://www.blazevox.org
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