BlazeVOX an.online.journal.of.voice
Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world
BlazeVOX26 Fall 2026
Celebrating 25 Years
Table of Contents
Welcome to the Fall 2026 issue of BlazeVOX!
We’re delighted to share this vibrant new collection of poetry, fiction, text art, visual poetry, and compelling works of creative non-fiction from writers across the globe. Dive in through the links below, or enjoy the entire issue via our embedded Scribd PDF—available to read online or download for free to take with you anywhere, on any device. Hurray and onward!
Poetry
Stephen Baraban
Fiction
BRINGNSEXYBACK07
Charles Switzer
26
Emily Wyatt Saunders
Conversing With My Cat
Ethan Goffman
Fingerprints
John Harrison
Everything Must Go
Ashley Mangtani
Homesick
Jo Farrant
Meet Me Halfway
Roberto Ontiveros
Living the Life of Ryan
Dennis Quinn
Alca
Gerald Majer
MMeeeett CCuuttee
Jake Holland
A Magic Story
John Brady
One More Day
Daniel Clausen
CALM
Ella Cannon
Poetry Extra
“In the monstrous convulsions/of reciprocity,”
Sonic Warfare meets Medi(t)ations:
Adeena Karasick and Chris Stroffolino
in conversation about their most recent books.
Zarathustra’s Denial
Louis Bourgeois
States of Being
Suveeksha Viswanathan
Fucking Abounding Dread
Michael Sweeney
Literary Nonfiction
AFTERSTONE
Jeffrey-Michael Kane
Vispo & Text Art
five pattern poems
Mark Wyatt
five polytopic poetry
Nathan Whiting
four visual poems
Pamela Miller
five visuals
Mark Young
Acta Biographia — Author Biographies
Letter from the Editor
Spring arrives with its usual insistence, quiet at first, then undeniable. It is a season that does not argue its case so much as demonstrate it: light returns, color gathers, and what seemed dormant reveals itself as merely waiting. In that spirit, we bring forward this new issue of BlazeVOX, an online journal of voice, shaped by renewal but never naïve about the conditions that make renewal necessary.
This year also marks our 25th anniversary, a span of time that feels both improbable and entirely natural. What began as a small, persistent effort has grown into a sustained conversation, one that has always welcomed experiment, risk, and the necessary strangeness of contemporary poetry. If there is a guiding principle, it is this: to remain open. Open to voices that do not yet have a place, open to forms that do not yet have a name, open to the possibility that language still has work to do in the world.
And the world, as ever, gives us reason for that work. We are not insulated from difficulty, nor should we be. Poetry does not solve the problems it encounters, but it does something equally vital, it makes a space in which we can think, feel, and remain present. In moments when language is flattened or rushed toward conclusion, the poem and prose resists. It pauses. It listens. It insists on a more careful attention, which may be one of the few saving graces we can reliably return to.
Thank you, as always, for reading, for contributing, and for continuing this shared project with us. If spring teaches anything, it is that continuation is its own kind of renewal.
Geoffrey Gatza
Editor, BlazeVOX [books]
IntroductionIntroduction
Editor’s Introduction
Geoffrey Gatza
In this issue of BlazeVOX, we do not seek definitive answers but instead dwell within the generative power of questions. With a subtle, minimal aesthetic, the works gathered here engage with the idea of public space—those shared, open zones where anyone might act, gather, intervene, or simply exist. We turn our attention to spaces that resist private ownership and economic utility, spaces that are, by nature, marginal, overlooked, and uncommodified.
The contributions to this issue thrive on the accidental, the coincidental, and the unexpected. They construct surprising analogies and revise traditional literary narratives through moments where fiction and reality intersect. Dreamlike in their logic, these pieces allow tropes to merge, meanings to shift, and timelines to collapse—where past and present, memory and immediacy, cohabit the same page. Time, as ever, remains a central axis of inquiry.
As we search for new ways to read the city, the texts assembled here engage with post-colonial critique, avant-garde and postmodern aesthetics, and radical democratic thought. In doing so, they offer acts of resistance—formal, political, poetic—against the prevailing logic of late capitalism.
What emerges are works in direct contact with architecture, environment, and the elemental conditions of daily life: energy, light, water, land. These are examined through less conventional lenses, occasionally spiraling into the absurd or surreal.
Rather than reinforce passive modes of consumption, these works create situations—performative, associative, unpredictable—intended to provoke personal meaning-making. Formal disjunctions invite readers to build their own systems of interpretation. Through this, the journal extends a proposition: that literature might reflect how life exceeds its boundaries, its taxonomies, its imposed narratives. These pieces gesture toward the porous borders between the self and the world, the familiar and the foreign, the “civilized” and the “cannibal”—revealing, in the process, the entangled legacies of cultural exchange and global transformation.
We invite you to read with openness and curiosity.
Rockets!
Geoffrey Gatza, Editor