BlazeVOX an.online.journal.of.voice
Presenting fine works of poetry, fiction, text art, visual poetry and arresting works of creative non-fiction written by authors from around world
BlazeVOX26 Fall 2026
Celebrating 25 Years
Table of Contents
Welcome to the Fall 2026 issue of BlazeVOX!
We’re delighted to share this vibrant new collection of poetry, fiction, text art, visual poetry, and compelling works of creative non-fiction from writers across the globe. Dive in through the links below, or enjoy the entire issue via our embedded Scribd PDF—available to read online or download for free to take with you anywhere, on any device. Hurray and onward!
Poetry
Fiction
BRINGNSEXYBACK07
Charles Switzer
26
Emily Wyatt Saunders
Conversing With My Cat
Ethan Goffman
Fingerprints
John Harrison
Everything Must Go
Ashley Mangtani
Homesick
Jo Farrant
Meet Me Halfway
Roberto Ontiveros
Living the Life of Ryan
Dennis Quinn
Alca
Gerald Majer
MMeeeett CCuuttee
Jake Holland
A Magic Story
John Brady
One More Day
Daniel Clausen
CALM
Ella Cannon
Poetry Extra
“In the monstrous convulsions/of reciprocity,”
Sonic Warfare meets Medi(t)ations:
Adeena Karasick and Chris Stroffolino
in conversation about their most recent books.
Zarathustra’s Denial
Louis Bourgeois
States of Being
Suveeksha Viswanathan
Fucking Abounding Dread
Michael Sweeney
Five poems/pages from WHAT IS IT
forthcoming from Spuyten Duyvil
Hank Lazer
Literary Nonfiction
AFTERSTONE
Jeffrey-Michael Kane
Vispo & Text Art
five pattern poems
Mark Wyatt
five polytopic poetry
Nathan Whiting
four visual poems
Pamela Miller
five visuals
Mark Young
Acta Biographia — Author Biographies
Letter from the Editor Fall 2026
Autumn has a way of making change visible. What was once green becomes gold, the familiar landscape shifts, and the passing of time announces itself in color and light. Yet there is no simple ending here. The world is rearranging itself, revealing patterns that were difficult to see before. Literature offers a similar invitation: to look again, to reconsider what we thought we knew, and to discover the unexpected possibilities waiting within the ordinary.
As BlazeVOX continues its 25th-anniversary year, this fall issue brings together an expansive gathering of voices, forms, and ways of seeing. Poetry moves alongside fiction, literary nonfiction, visual poetry, and text art, each opening a different passage into the world. These works remind us that language is not a fixed instrument but a living practice, capable of changing direction, disrupting expectation, and making room for experiences that resist easy explanation. After twenty-five years, I remain convinced that the most interesting work often begins where certainty ends.
We live in a time when so much of our attention is claimed, divided, and hurried toward an answer. The works collected here offer another kind of encounter. They ask us to pause, to follow an image or an idea beyond its apparent destination, and to accept the productive uncertainty of not knowing exactly where we are going. A poem may alter the scale of a moment; a story may loosen the boundaries between memory and invention; an arrangement of words on a page may make us see language itself anew. Such encounters do not require us to agree, only to remain attentive. In that attention, something opens.
For twenty-five years, BlazeVOX has been a home for this spirit of exploration, publishing work that takes chances and welcomes the strange, the difficult, the playful, and the unclassifiable. The journal continues because writers continue to find new ways to speak, and because readers remain willing to meet those voices with curiosity. I am grateful to every contributor who has trusted us with their work and to every reader who has joined us in this ongoing adventure.
As the season turns, may these pages offer a little space to linger, to wonder, and to see the world differently. There is always more to discover in language, and always another voice waiting to be heard.
Geoffrey Gatza
Editor, BlazeVOX [books]
IntroductionIntroduction
Editor’s Introduction
Geoffrey Gatza
In this issue of BlazeVOX, we do not seek definitive answers but instead dwell within the generative power of questions. With a subtle, minimal aesthetic, the works gathered here engage with the idea of public space—those shared, open zones where anyone might act, gather, intervene, or simply exist. We turn our attention to spaces that resist private ownership and economic utility, spaces that are, by nature, marginal, overlooked, and uncommodified.
The contributions to this issue thrive on the accidental, the coincidental, and the unexpected. They construct surprising analogies and revise traditional literary narratives through moments where fiction and reality intersect. Dreamlike in their logic, these pieces allow tropes to merge, meanings to shift, and timelines to collapse—where past and present, memory and immediacy, cohabit the same page. Time, as ever, remains a central axis of inquiry.
As we search for new ways to read the city, the texts assembled here engage with post-colonial critique, avant-garde and postmodern aesthetics, and radical democratic thought. In doing so, they offer acts of resistance—formal, political, poetic—against the prevailing logic of late capitalism.
What emerges are works in direct contact with architecture, environment, and the elemental conditions of daily life: energy, light, water, land. These are examined through less conventional lenses, occasionally spiraling into the absurd or surreal.
Rather than reinforce passive modes of consumption, these works create situations—performative, associative, unpredictable—intended to provoke personal meaning-making. Formal disjunctions invite readers to build their own systems of interpretation. Through this, the journal extends a proposition: that literature might reflect how life exceeds its boundaries, its taxonomies, its imposed narratives. These pieces gesture toward the porous borders between the self and the world, the familiar and the foreign, the “civilized” and the “cannibal”—revealing, in the process, the entangled legacies of cultural exchange and global transformation.
We invite you to read with openness and curiosity.
Rockets!
Geoffrey Gatza, Editor