Disapparitions Reviewed in Mid-American Review


We are delighted to share that Disapparitions by Joseph Harrington has been reviewed in the latest issue of Mid-American Review (43.2). Our gratitude goes to editor-in-chief Abigail Cloud and reviewer Caleb Edmondson for the generous and insightful attention given to this remarkable book.

Edmondson beautifully captures the spirit of Disapparitions, noting how Harrington “writes, ‘Poets are people who hear and see patterns emerge, and rearrange them.’ Harrington’s hybrid work travels relentlessly through time, using the vehicle of radio transmission to frame considerations of death, the afterlife, war, race, the surveillance state, and the impact language has across the various mediums upon which it is carried.”

The review highlights Harrington’s achievement in weaving autobiography, lyric poetry, and historical reflection into a seamless and compelling form. At its heart, Disapparitions is an exploration of the word “spook”, ghost, spy, and racial slur, and how those layered meanings reverberate through history and language. From the “Lincolnshire Poacher Variations,” in which Harrington reimagines cryptic Cold War radio transmissions through poetry, to the closing meditation “The Eyes,” the book continually invites readers to tune into hidden frequencies and reconsider the patterns of our existence.

We are thrilled to see Disapparitions receive such thoughtful recognition. Congratulations to Joseph Harrington, and many thanks again to Mid-American Review for celebrating this work.


You can find more about Disapparitions here: https://www.blazevox.org/shop-1/p/disapparitions-by-joseph-harrington?rq=Disapparitions

Geoffrey Gatza

Bio Note: Geoffrey Gatza is the author of the poetry collections The House of Forgetting (2012), Apollo: A Conceptual Poem (2014), and A Dog Lost in the Brick City of Outlawed Trees (2018).

 

Divya Victor, in an article for poetryfoundation.org, said of Apollo: A Conceptual Poem “The diversity of these works echoes the complexities of the subject, but together they posit something specific, the heightened relationship between the interior self and the exterior world.”

 

Gatza’s poems have been published in anthologies, as well as magazines and journals including Fence, Tarpaulin Sky, The Pickled Body, Peach Mag, Tupelo Quarterly and various others. His play on Marcel Duchamp was staged in an art installation in Philadelphia and performed in NYC.

 

Gatza is an award-winning editor, publisher and poet. He is the driving force behind BlazeVOX, an independent press located in Buffalo, NY, specializing in innovative fictions and wide ranging fields of contemporary poetry. Geoffrey Gatza is lives in Kenmore, NY.

editor@blazevox.org

http://www.blazevox.org

http://www.blazevox.org
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