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Vow by Kristina Marie Darling reviewed in The The Poetry

 

Review: “Vow” by Kristina Marie Darling & “The Blue Rental” by Barbara Mor

by KARL WOLFF on AUGUST 18, 2014

 

 

EXCESS AND ASCESIS: TWO FEMINIST VISIONARY POETS

VOW, BY KRISTINA MARIE DARLING

THE BLUE RENTAL, BY BARBARA MOR

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-“Let the woman learn in silence with all subjection.  But I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence.”

 Timothy 11 -12, The Bible, King James Version

-“Naturam expellas furca, tamen usque revenit.”

(“You can drive nature out with a pitchfork, she will nevertheless come back”)”

 -Horace (65-8 BC), Epistles I.X.24

Kristina Marie Darling created a domestic drama that unfolds in white space, an emptiness surrounded by a commentary in the footnotes.  It is a text without text, a Beckett-ian “texts for nothing” literalized.  Barbara Mor created a panorama, a historico-politico-paleontological rant against collective and individual injustices.  It is written with chthonic excess, with Whitman-esque long poetic lines set amidst the painted landscapes of the American Southwest.  Both Mor and Darling represent visionary feminist poetics; one spare and skeletal; the other a surrealist logorrhea.

Vow is about a marriage.  Rendered in short lines and esoteric marginalia, the bride faces the slow reduction and negation of her identity.  Unlike Mor’s work, The Blue Rental, Kristina Marie Darling’s work isn’t a frontal assault on violent male idiocy and its institutional tentacles (the state, the military, the corporation, etc.).  Darling works through small meditations on relics and debris. 

READ the whole review here

Check out VOW by Kristina Marie Darling here

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