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Grace C. Ocasio’s The Speed of Our Lives reviewed in Blind Beggar Press’s newsletter The Lantern.

Grace C. Ocasio’s The Speed of Our Lives reviewed in Blind Beggar Press’s newsletter The Lantern.


Grace C. Ocasio is a former New Yorker now living in Charlotte, NC. Her poetry collection, The Speed of Our Lives, is an exceptional example of fine poetry. It’s thoughtful, intelligent and consistently engaging. Her diverse range of subject matter- Angela David, Greta Garbo, the city of Charlotte, Anne Frank, bible characters and so much more – demonstrate her world view and keeps the reader fascinated to read more. She has a way with words that is personal yet universally understood and it is difficult to put her book down. Hers is a unique voice that needs to be heard.


Reviewed by C. D. Grant

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The Speed of our Lives by Grace C. Ocasio Reviewed on GALATEA RESURRECTS #23

THE SPEED OF OUR LIVES by GRACE C. OCASIO

EILEEN TABIOS Engages
The Speed of our Lives by Grace C. Ocasio
(BlazeVOX Books, Kenmore, N.Y., 2014)
There’s a freshness to Grace C. Ocasio’s The Speed of our Lives—a freshness I see in other first books, and that I sometimes don’t see in the umpteenth collections by well-published poets.  (I did confirm: while Ocasio previously released a chapbook, The Speed of our Lives is her first poetry book.) By "freshness," I mean a presentation of poems whose presence, I sense, were not determined by applied strictures, e.g. a project-based perspective, or a focus on a particular form.  
The poems in The Speed of our Lives range over a wide variety of subjects and concerns, a range not hidden by its organization in four sections (entitled “Sheroes,” “She Revolutionary,” “Princes and Privates,” and “Patriots”).  While the sections are certainly apt, I ended up not focusing on their categories so much as being moved to engage each individual poem on an individual basis.  I believe this  results from the strong story-telling impetus to each poem so that I reacted to each one based on its story instead of how it relates to other poems.  
Nor does story need to unfold as narrative—for example, this list poem I found redolent, thus, enjoyed:
FATHER’S FAVORITE THINGS AND PEOPLE
Charlie Mingus’ albums
social tea biscuits
brown wool coat
The Yankees
Valencia oranges
books by Chester Himes
Brut After Shave Lotion
Cadillac Coupe de Ville
striped shirts
Harlem’s Better Crust Pie Bakery
New York Giants
Duke Ellington
muenster cheese
James Van Der Zee’s photographs
books by John Hope Franklin
carrot cake
Louis Armstrong
English Leather Cologne
cow tongue
Brooks Brothers gray and blue suits
sweet potato pie
cowboy jeans
Billie Holiday
collard greens
Jackie Robinson
black-eyed peas
New York Jets green cap
hog’s head cheese

When I look, thus, at The Speed of our Lives as not just a poetry collection but a collection of stories, I see the range of subjects.  To quote one of the blurbers, Ann Deagon, there are “poems embracing myth, history ancient and modern, happenings worldwide and close to home, characters from many cultures. The first section alone focuses on Ruth and Naomi, Esther, Pocahontas, Anne Frank, Audrey Hepburn, Angela Davis,  Michelle Obama, Janis Joplin, Amy Winehouse, and Alondra de la Parra.”  These poems are about something(s) or someone(s).






 

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