Intractable Ghosts or Kristina Marie Darling’s Personal and Imaginative World in The Sun & the Moon
Kristina Marie Darling's The Sun & The Moon
You began as a small mark on the horizon. Then night & its endless train of ghosts. You led them in, one after the other. They took off their shoes, hung their coats & started looking through the drawers. By then I could hardly speak. I realized the lock on the door must not be working. The floor was covered in ash. There was nothing I could do, so I kept trying to tell you goodnight. You just stood there, your hands in your pockets, that small army behind you. That was when they started polishing the knives.
In this collection these ghosts come to stay and ultimately cause trouble for the couple in their home. The idea of ghosts hanging their coats and then hunting through the drawers is an unusual sight to imagine, as most ghosts have no need to do such things. The polishing of the knives sends the ominous signal that these ghosts may mean more harm than good and are here to stay.
In the December-January issue of Book Forum The Electric Affinities one of 9 Book Forum Highlights From Independent Publishers section, page 51. Hurray and congratulations to Wade Stevenson!
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Kristina Marie Darling’s The Sun & the Moon
Book Review: Kristina Marie Darling's Requited
by Georgia Kreiger
In her characteristic style, Kristina Marie Darling blurs the already tenuous lines we draw between literary genres in her book Requited. Composed of a series of thirteen prose poems appended by an epilogue consisting of fragmented images, the book is defined by Darling as a work of fiction and includes the conventional disclaimer regarding coincidental resemblance to actual people and events. A concluding note reveals that lines are borrowed from two primary texts. These authorial remarks prompt us to search for a narrative progression in a book that is simultaneously poetry, prose, and fiction, and that, like an academic essay, includes synthesized material from primary sources.
The effectiveness of Kristina Marie Darling’s book Requited lies in its ability to remind readers that it is human nature to crave to be what we are not. To crave what we don’t have. Darling treats poetry as a truth-telling mechanism. This is a book that is aware of itself, its truths, and how it wants to tell them. The self-referential nature of this text urges the truth to make itself known. It enables the use of poetry as a truth-telling device, and reminds the reader of fundamental truths.
The book is the chronicle of a couple’s relationship, and their eventual parting. We begin the story in a garden, which might be a nod toward to the Garden of Eden, and what it symbolizes for us: a clean slate; new beginnings; fresh starts. Gardens and forests are so richly associated in Western literature with emotional truths, and the unfettered psyche. This trope was a clever one to utilize for the story of a romantic relationship because this draw that humans have toward the new, the fresh, the undiscovered, is what makes new relationships so intoxicating, but it is also what makes the end of relationships so difficult, because in breaking up with someone we acknowledge that a part of our innocence has been irrevocably lost.