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The Sun & the Moon by Kristina Marie Darling Reviewed on Poet Hound

 

Kristina Marie Darling's The Sun & The Moon

The Suns & The Moon, by Kristina Marie Darling, is a haunting and romantic collection centered around a couple who are surrounded by the supernatural. Darling creates a world that struggles with fire and ice, romance and heartbreak, and ultimately envelopes the reader in an enchanting world of her own making. Below I am happy to share some of her work:

(I)
You began as a small mark on the horizon. Then night & its endless train of ghosts. You led them in, one after the other. They took off their shoes, hung their coats & started looking through the drawers. By then I could hardly speak. I realized the lock on the door must not be working. The floor was covered in ash. There was nothing I could do, so I kept trying to tell you goodnight. You just stood there, your hands in your pockets, that small army behind you. That was when they started polishing the knives.

In this collection these ghosts come to stay and ultimately cause trouble for the couple in their home. The idea of ghosts hanging their coats and then hunting through the drawers is an unusual sight to imagine, as most ghosts have no need to do such things. The polishing of the knives sends the ominous signal that these ghosts may mean more harm than good and are here to stay.
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Such Conjunctions in this weeks Times Literary Supplement!

Such Conjunctions in this weeks Times Literary Supplement!

 

 

Such Conjunctions: Robert Duncan, Jess, and Alberto de Lacerda mentioned in this week’s TLS, Times Literary Supplement!

 

 

Buy the book here

 

 

After meeting in November 1969 at the International Festival of Poetry in Austin, Texas, the Portuguese poet Alberto de Lacerda (1928-2007) developed a trans-Atlantic friendship with the San Francisco poet Robert Duncan (1919-1988) and his partner, the artist Jess (1923-2004). This book celebrates that friendship by bringing together from the Duncan and de Lacerda archives reproductions and transcriptions of all their extant correspondence in addition to the many inscribed publications, books, magazines, photographs, poems, drawings, and artwork that they shared with each other. Together, these items document not only the story of the relationship between these three men, including their subsequent visits together in San Francisco, Boston, and London, but also many of the significant events in each figure’s life during the years 1969 to 1989. Edited by Mary Porter de Sousa and Luís Amorim de Sousa, de Lacerda’s longtime friend and literary executor, and James Maynard, Associate Curator of the University at Buffalo’s Poetry Collection, which houses Duncan’s papers, this collection features essays by de Sousa, Maynard, and Scott Laughlin, a former student of de Lacerda’s.

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The Electric Affinities one of 9 Book Forum Highlights From Independent Publishers.

 

In the December-January issue of Book Forum The Electric Affinities one of 9 Book Forum Highlights From Independent Publishers section, page 51. Hurray and congratulations to Wade Stevenson!

  

Buy The Electric Affinities here

 

 

 
 Book Information:
 
· Paperback: 340 pages

· Binding: Perfect-Bound

· Publisher: BlazeVOX [books] 

· ISBN: 978-1-60964-148-1
·  $18
 

  

  

The Electric Affinities by Wade Stevenson Book Preview

 

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Reviews of Selected Prose of Bobbie Louise Hawkins Edited by Barbara Henning

 

Here is a fine list of full reviews of Selected Prose of Bobbie Louise Hawkins Edited by Barbara Henning.

 Review by Patrick James Dunagan http://htmlgiant.com/reviews/on-bobbie-louise-hawkins/

Review by John Olson http://talismanarchive.weebly.com/olsonhawkins.html

The Allen Ginsberg Project http://ginsbergblog.blogspot.com/2012/08/the-selected-prose-of-bobbie-louise.html

The Poetry Foundation http://www.poetryfoundation.org/harriet/2012/10/new-poems-from-bobbie-louise-hawkins-are-reviewed-at-htmlgiant/

Lindsey Drager. "The Shape of Our Lacks: Migration as Method in the Work of Bobbie Louise Hawkins". Denver Quarterly http://www.du.edu/denverquarterly/media/documents/474Drager.pdf

Bobbie Louise Hawkins:  //www.bobbielouisehawkins.com http://www.bobbielouisehawkins.com

 

barbarahenning.com
http://barbarahenning.com

 

Selected Prose of Bobbie Louise Hawkins  Edited by Barbara Henning 

 Bobbie Louise Hawkins captures the sound of the human voice on the page with grace and honesty and allegiance to the music of the way people talk, interact, lie to themselves (and others), make speeches, converse. Her (dis)comfort zone is the fine line between past and present, who you want to be and who you are, and she always knows when to stop. Applause to Barbara Henning for gathering these minimalist-epic tales all in one place, a keepsake for the ages.

—Lewis Warsh

When Bobbie Louise Hawkins sets out to tell a story, a spell is cast. The entrancement of her narrative and her vivacity for real people in the quotidian of real human situations is impeccable. What supreme fortune to have her voice among us and to have now available this selected prose of her work. A prose Electric with Life!

—Maureen Owen

Bobbie Louise Hawkins is a remarkable master of the witty understated prose sentence and writes in the lineage of Barbara Pym and Jane Bowles; she is also a fabulous storyteller with a great ear for the "very thing": quip or bon mot. She should be more discovered and read beyond her adoring fans at the Jack Kerouac School of Disembodied Poetics where Bobbie presided as a grande dame teacher and consummate genius performer of her work many years. This collection is a terrific revival!

—Anne Waldman

Bobbie Louise Hawkins has written more than twenty books of fiction, non-fiction, poetry, and performance monologues. She has performed her work at Joseph Papp’s Public Theater, Bottom Line and Folk City in New York City; at The Great American Music Hall and Intersection in San Francisco, as well as reading and performing in Canada, England, Germany, Japan, Holland, and more. In England she worked with Apples and Snakes, read at the Canterbury Festival and the Poetry Society. She was commissioned to write a one-hour play for Public Radio’s “The Listening Ear,” and she has a record, with Rosalie Sorrels and Terry Garthwaite, Live At The Great American Music Hall, available from Flying Fish. She was invited by Anne Waldman and Allen Ginsberg to begin a prose concentration in the writing program at Naropa University where she taught for twenty years.

Barbara Henning is the author of three novels, seven books of poetry, as well as a series of photo-poem pamphlets. Her most recent books are Cities and Memory (Chax Press), Looking Up Harryette Mullen: Interviews on Sleeping with the Dictionary and Other Works (Belladonna Series), Thirty Miles to Rosebud (BlazeVOX) and My Autobiography (United Artists). In the nineties, Barbara was the editor of Long News: In the Short Century. Barbara was born in Detroit and moved to New York City in the early eighties. Professor Emerita at Long Island University, Brooklyn Campus, she continues to teach courses for Naropa University, as well as LIU.

Book Information:

· Paperback: 404 pages


· Binding: Perfect-Bound


· Publisher: BlazeVOX [books] 


· ISBN: 978-1-60964-100-9

$18

Buy it on Amazon here

Selected Prose of Bobbie Louise Hawkins | Edited by Barbara Henning Book Preview

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The Sun & the Moon by Kristina Marie Darling Reviewed

 

Kristina Marie Darling’s The Sun & the Moon



Kristina Marie Darling’s new poetry collection, The Sun & the Moon, from BlazeVOX [books] is as smooth and well-crafted as the flowers that so often appear in Darling’s poems. The book is separated into four sections: the main narrative, illustrations of various astronomical clocks—probably because of the many stars that appear in the text—erasures of the main narrative, and “Notes and Observations.”   
Though Darling employed many of the same images and techniques as in other books, (such as erasure) The Sun & the Moon was different because there was so much more of a dreamlike narrative bent to the poems than in previous collections such as Fortress or Night Songs. This made for an interesting and welcomed change. I’m glad to see Darling expand her horizons a little. The book tells of a married couple whose house is taken over by “an endless train of ghosts” and burned.
I believe the ghosts represented the couple’s troubled marriage. In fact, the husband does leave the house by the end of the book, leaving the protagonist as the only human occupant in the house. What I found peculiar is that the ghosts and the husband did similar things, such as carry stars around with them. Also, the husband did fantastic, surreal things: “The tablecloth was burning & still you just sat there, stroking that enormous fire.” I wonder if there were such similarities between the man and the ghosts, was the man a ghost too? Is that how the protagonist saw him? As always, provocative questions like these appear in all of Darlings poems.





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