There is a lot of great new interviews with Kristina Marie Darling’s collaborative work with John Gallaher, GHOST / LANDSCAPE
A new interview with Kristina Marie Darling in Writer’s Digest:
GHOST / LANDSCAPE is reviewed in The Rumpus:
And Kristina Marie Darling and John Gallaher are featured in The Conversant:
Dora Malech included her book The Moon and Other Inventions: Poems After Joseph Cornell, in her essay on the work of Joseph Cornell, in The Kenyon Review:
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GHOST/LANDSCAPE BY KRISTINA MARIE DARLING
AND JOHN GALLAHER
BLAZEVOX, 2016; 102 PP
REVIEWED BY ANNE CHAMPION
On the back cover of Kristina Marie Darling and John Gallaher’s Ghost/Landscape, Allison Benis White says, “One measure of the potency of literature is that its strangeness forces the reader to change her world to incorporate it, or to leave her world and join the one the writer has created.” This perfectly encapsulates the experience of entering Darling and Gallaher’s prose poems.
I admit that the form of prose poetry often makes me expect narrative, and it’s the denial of that expectation that makes Ghost/Landscape a compelling, reader-centric experience. The collection begins on “Chapter Two,” trumping expectations by placing the reader on the sideline of a battle whose beginning or cause you can’t place, making the ensuing conflict as dizzying as a maze. The details render a domestic setting, but with apocalyptic imagery: “Now our train leaving the platform, another dead pigeon near the tracks” and “Not one painting on the walls, and not a single photograph in any of those boxes.” The absence of photos or art signal that there’s no past in tact in these poems, and the dead bird along the tracks gestures towards a decomposing future weighted down by terror.