An Interview with Kristina Marie Darling
09/15/14Read more »
In poems lit by an incendiary marriage, Kristina Marie Darling traces a story that begins, as stories often do, “as a small mark on the horizon.” Brave and haunted, these poems burn down to ash and winter, daring to unlock the spell of memory’s silver flashings. The small remains, like distant stars, make a moving portrait.
The Color Symphonies
Books on synesthesia are typically nonfiction accounts of the ability to 'feel colors'; but to have a literary, poetic work packed with descriptions integrating colors with characters and life is truly a horse of another color. Perhaps equating The Color Syphonies with Proust's flavorful writings would come closest; but even then, Proust is relatively inaccessible to all but the most literary follower - and The Color Symphonies is eminently accessible.
Like a delicious ice cream, bits of color flake off in the mouth and leave pleasing impressions with every bite: "In the playful day/jets of light were launched,/the white spaces shuddered,/there was dazzling cobalt blue/fused with windblown yellow./You begin to hear colors/you never thought would speak."
Biographical accounts have attempted to explain the perceptions and sensations of synesthesia; but few have truly succeeded… until now, it seemed one must be one of those rare individuals to 'feel color' or even understand descriptions of such a feeling.
The poems in The Color Symphonies are like a blind man learning to see for the first time: they bring with them an extra dimension of perception and, for just a moment, take readers along on the journey that is synesthesia: a heightened sense of color perception that integrates color with sound and movement to create a symphony of extrasensory impressions.
Wade Stevenson's words are delicately wrought and deftly capture the flavors and sensations of all kinds of light - even that which lies between in the realm of neither darkness or light: "It's not darkness or light,/it's not grey either,/doesn't come close to being/any known form of blue/It lies above the garden and the chairs,/unlike a fog it doesn't obscure/objects or dissolve them from sight"
It's rare that a poetic work can be recommended for that fellow artist, the painter or capturer of colors. Usually wordsmiths and painters are separate creatures, each striving to capture the color-haunted world in a different manner, with different tools.
Here the synthesis comes together - once more, a symphony of color - and invites the fellow artist working in another medium to come on in, sit down, and partake.
The language of colors, their interactions, and their presentation all come to life in a collection where colors are the main characters, assuming the vibrant words of a canvas and interacting with calls and responses in the world that contains them, keeps them from spilling, merges and dissolves them, and simply dances.
A good poetry collection describes. A better poetry collection captures. But a superior work absorbs, dissolves, recreates, immerses, and then dances … such is The Color Symphonies. There's simply quite nothing like its animated free verse and light-filled perspective, even in today's overloaded poetry genre.
D. Donovan, e-book reviewer for Midwest Book Review
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The Poetry Shelf
Reflections of Hostile Revelries
Jennifer C. Wolfe
131 Euclid Avenue, Kenmore, NY 14217
9781609641528, $16.00, 108pp,
Synopsis: Jennifer C. Wolfe's "Reflections of Hostile Revelries" is a compendium of politically oriented poetry focused on the hypocrisies and naivety, aspirations and personalities of the American political landscape. Deftly encapsulated into word fashioned pictures of life and politics both before and after the 2012 election of America's first African American president, as well as snapshot responses in verse to extraordinary political events ranging from the shooting of Travon Martin to the conflict raging in Syria, "Reflections of Hostile Revelries" is a truly seminal volume reflecting the politics of poetry -- and the poetry of politics.
Criteria: Jennifer C. Wolfe is an exceptionally talented wordsmith whose poetry lingers in the mind long after "Reflections of Hostile Revelries" has been set back on the shelf. 'Candy Slogans': Ah, that colorful Texas Govenor, Rick Perry: // He, who is so enamored of invoking his state's unique succession clause, / Threatening to secede from the Union, whenever he becomes outraged, / Or throws a childish political tantrum. // A prestigious candy company had a hit advertising slogan for two / Of their select candy bars, which i think summarizes Mr. perry quite well / "Sometimes You Feel Like A Nut" (Texas); "Sometimes You Don't" (Rest of the US).
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"In Jan LaPerle's heartbreaking new collection, the poems break apart within themselves, full of fear, need, and mercurial beauty. They shine like wounds you don't want to touch, but do – a close-up examination of what comes from within us. But there's mystery here too. And play. And wonder. A narrative about the women inside of us who we both love and are terrified to be."