There are no illusions in the world of Charles Borkhuis. This is life without eyelids, and what we see is too disquieting for our own good, yet we can't look away. It's like film noir, whose frisson is a bad dream. Borkhuis’ work, though, is the zero hour. Sure, we can hit the bullseye at the amusement park, ring the bell. But we're just saps. Let’s face it, the real is not for sissies, or tough guys either. As for Borkhuis, his aim is dead on. Dead Ringer beckons us even when we'd better beg off, until we realize we’ve been living in his world without our knowing. Borkhuis’ poems exude their strange beauty.
I’m often reminded, while reading Borkhuis’ work, of Derrida’s portmanteau word
hauntology, a term which embodies the disjunction within being between presence
you can’t unfriend us the voices said
we’re already your next thought
it’s true the present
was already a memory
In this darkly introspective poetry, inner and outer, self and other, past and present
bleed together. Dead Ringer is an unforgettable volume of indelible palimpsests.
Charles Borkhuis is a poet, playwright, screenwriter, and essayist. His seven previous collections of poems include: Disappearing Acts [Chax Press 2014], Afterimage [Chax Press 2006], Savoir-fear [Spuyten Duyvil Press 2003], Alpha Ruins [Bucknell University Press 2000], selected by Fanny Howe as a finalist for the William Carlos Williams Book Award. Finely Tuned Static, his book of poems with paintings by John McCluskey is forthcoming from Lunar Chandelier Press. His poems have appeared in 6 anthologies including: Dia Anthology: Readings in Contemporary Poetry 2010-2016 [Dia Art Foundation 2016], An Avec Sampler #2 [Avec Press 1998], Primary Trouble [Talisman House 1996], Writing From The New Coast: Presentation and Technique [o.blek Press 12, 1993]. His essays on contemporary poetics have appeared in two books published by the University of Alabama Press: Telling it Slant  and We Who Love to Be Astonished . His work has appeared in numerous journals including: American Letters and Commentary, Avec, Big Bridge, Eoagh, First Intensity, Five Fingers, Jacket, New American Writing, o.blek, Ribot, Second Avenue Poetry, Skanky Possum, Talisman, Van Gogh’s Ear, Verse, and The World. He curated poetry readings for the Segue Foundation in NYC for 15 years. He translated New Exercises by Franck André Jamme [Wave Press 2008]. His plays have been presented in NYC, Los Angeles, San Francisco, Hartford, and Paris and have been published in Mouth of Shadows [Spuyten Duyvil 2000], The Sound of Fear Clapping [Obscure Press 2003], and Present Tense [Stage This 3, 2009]. His two radio plays The Sound of Fear Clapping and Foreign Bodies were produced for NPR [www.pennsound]. He is the recipient of a Drama-logue Award and the former editor of Theater:Ex [1986-1988], an experimental theater publication. His recent NY Productions include: Present Tense [Alchemical Theater Lab 2013], Barely There, Flipper [Harvest Works 2013], and Foreign Bodies [Center for Performance Research 2014]. He is the author of three feature-length screenplays: Irreparable Damage, Deep Divide, and Phase Change. He lives in New York City and has taught at Touro College and Hofstra University.
· Paperback: 102 pages
· Binding: Perfect-Bound
· Publisher: BlazeVOX [books]
· ISBN: 978-1-60964-235-8
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