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Evening Train by Tom Clark Now Available!


In Evening Train we witness people on a bus, a window in the night, greenery, a bird on its perch—and then at the center of this world, something nameless seems to open. It’s hard to say just what happens, other than the words of each poem itself. But that isn’t quite right. It’s as if the words are a way for the poet to inscribe silence. You turn the page, wondering, and it arrives again—something quite beyond what is told. Tom Clark is a master.

—Aram Saroyan

A long time fan of Tom Clark’s poetry, I have turned to his books and blog for years to find inspiration, entertainment, and truth. His is a poetry that I can trust—at once spare and direct, witty and uncompromising, personal and universal, intelligent and deeply felt. I rely on Clark to reveal the nation I live in but often fail to see, complete with its environmental degradation, commercial excess, and kitschy spiritualism. His poems live at the intersection of truth and beauty, weaving the threads of the humdrum and the unbearable with the mystical—or at least with a longing for the mystical. Tom Clark is undoubtedly one of the great living American poets.

— Nin Andrews

Tom Clark is a master of surprise. He is a poet twenty-four hours a day and in possession of a very entertaining mind. He gets the familiar and the strange to dance together, and the dance steps are never the ones you expect. There is pathos in the humor of the situation: "First it's stuffed bunnies they're giving you. Next it's ice cream and then the nice surprise — you're at the hospital, having an operation." Clark has the ability to guide words as they "turn a nowhere into a putative somewhere" — to take the complications of mental or physical experience and redeem them in lyric poems of notable brevity. Evening Train is smart and companionable and joyously imaginative.

— David Lehman

These poems are radically, almost luridly, American, mapping out landscapes imagined, described, and entered into with stunning visual acuity and incisive intelligence. Yet the language has a spareness, a near egoless authority, giving this book wondrous aesthetic tension. Evening Train confirms what readers of this major American poet have long known: Tom Clark is a contemporary master.

—Terence Winch

Tom Clark was born in Chicago in 1941 and educated at the University of Michigan, Cambridge University and the University of Essex. He has worked variously as an editor (The Paris Review), critic (Los Angeles Times, San Francisco Chronicle) and biographer (lives of Damon Runyon, Jack Kerouac, Charles Olson, Robert Creeley, Edward Dorn), has published novels (Who is Sylvia?, The Exile of Céline, The Spell), memoirs (Jim Carroll, Late Returns: A Memoir of Ted Berrigan) and essays (The Poetry Beat, Problems of Thought: Paradoxical Essays). His many collections of poetry have includedStones, Air, At Malibu, John's Heart, When Things Get Tough on Easy Street, Paradise Resisted, Disordered Ideas, Fractured Karma, Sleepwalker's Fate, Junkets on a Sad Planet: Scenes from the Life of John Keats, Like Real People, Empire of Skin, Light and Shade, The New World, Something in the Air, Feeling for the Ground, At the FairCanyonesqueDistance and Truth Game. He lives in Berkeley, California with his wife and partner of forty-six years, Angelica Heinegg.

Book Information:

· Paperback: 102 pages

· Binding: Perfect-Bound

· Publisher: BlazeVOX [books] 

· ISBN: 978-1-60964-187-0



Evening Train by Tom Clark Book Preview,

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Reflections of Hostile Revelries by Jennifer C. Wolfe Now Available!


Jennifer C. Wolfe’s new collection Reflections of Hostile Revelries is the voice in our heads that needs to be spoken. In this progressive work, Wolfe targets our richest and most powerful enemies addressing their essential flaws and epic mistakes while reminding the reader these are the exact people running our countries. Reflections of Hostile Revelries is direct and honest oral poetics and will leave you tired, but eager to read on.

—Jordan Antonucci, Editor, Monkey Puzzle Press

“Jennifer Wolfe's second book, Reflections of Hostile Reveries, takes as its subject the American political landscape. In biting and often hilarious poems that spare no one, Wolfe skewers the absurdity and inanity of our politics and politicians. Everyone gets called out--from Sarah Palin to Barack Obama, from Chris Christie to the Supreme Court. Wolfe showcases her talents in a wide range of forms, from long-lined, discursive poems to haikus that burn in their intense seventeen syllables. This book demonstrates that poetry and politics make strange and wonderful bedfellows."

—Cullen Bailey-Burns, Professor of English, Century College, White Bear Lake, MN.

Jennifer C. Wolfe is a forty-five year-old writer, who grew up in Maplewood, Minnesota and studied fiction writing and poetry at Century College in White Bear Lake. Ms. Wolfe has five previous publishing credentials: a poem “If” included within the Century College (White Bear Lake, MN) Spring 2008 Student Lounge literary magazine, along with two poems “St. Patrick’s Day” and “Roller Coaster,” published within the online edition of Scrambler Magazine, Issue 39, June 2010, a poem “Flower Child” published within the online edition of The Muse – An International Journal of Poetry, Issue 1, Volume 1, June, 2011, a poem “The Beauty of the Rain” published within the online edition of The Muse – An International Journal of Poetry, Issue 2, Volume 2, June, 2012 and two poems, “Old Friends” and “New Friends” published within the online edition of The Muse – An International Journal of Poetry, Issue 3, Volume 3, June, 2013. Ms. Wolfe is listed within the poetry Directory of Writers at the Poets & Writers online magazine.

Beginning in 2008, Ms. Wolfe formed a collaborative publishing bond with BlazeVox Books of New York, under the guidance and tutelage of editor, Geoffrey Gatza. Ms. Wolfe’s publishing credentials with the press are five poetry manuscripts, Kick the Stones: Everyday Hegemony, Empire, and Disillusionment published as an eBook by BlazeVox Books, New York, October 2008, Yukon Rumination: Great Fun for All in the Land of Sarah Palin’s Joe Sixpack Alaska, published as an eBook by BlazeVox Books, New York, June 2009, Healing Optimism, and Polarization, published as an eBook by BlazeVox Books, New York, February 2010, Somewhere Over the Pachyderm Rainbow: Living in an Elephant Controlled 2010 Election Diorama, published as a print book by BlazeVox Books, New York, May, 2011, and Reflections of Hostile Revelries, published as a print book by BlazeVox Books, New York, 2013.

Somewhere Over the Pachyderm Rainbow received literary acclaim as a 2011 Indie Lit nominee for poetry.

Reflections of Hostile Revelries is Ms. Wolfe’s second print publishing with BlazeVox Books, New York.

Book Information:

· Paperback: 108 pages

· Binding: Perfect-Bound

· Publisher: BlazeVOX [books] 

· ISBN: 978-1-60964-152-8



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The Hunger in Our Eyes by Jared Demick Now Available!


 “In The Hunger in Our Eyes, Jared Demick presents poetry that traverses a rugged terrain of memory, history, agriculture, race, and culture to unearth narratives long or recently forgotten. The speakers in these poems listen intently with open ears; have tongues that have no hairs, and are witnesses ready to offer testimony to truths, desires, and thoughts that are often unspoken. Lines of verse stay with the reader with poignant poetic reality: ‘But ghosts still stay, they hang in the air thicker than humidity.’ A marvelous debut collection!”

—Sean Frederick Forbes, author of Providencia: a book of poems

Jared Demick's The Hunger in Our Eyes is a little bit country and a whole lot of cross-country(ies). The shape-shifting Americana here scores a playfully re-visionist choreography that brings into focus what imperial eyes typically miss: the accidents of landscape, the histories of food, the body's crossings. With extended meditations on cassava and honky-tonk (!), this book seeks out its own uneasy roots in a prickly and code-twitching vernacular, in an alternative We somewhere between solidarity and irony, between selfing the other and othering the self. (See Williams's In the American Grain: “We are, too, the others.”). From Dust Bowl to diaspora and dance floor to truck stop, the re-making of Americans here is all about movement: all jittery lines and portmanteau puns (as in Oliverio Girondo's moremarrow) and a careening, class-conscious stridentity politics (“swallow these miniwage peeon blooze”). Still, this is a poetics limber enough to find meaning in strategic silences, in the “awhereness” of “our undelved / selves.” “We’re / osmotin’ / peoples,” sings the poet (a.k.a Demick); the rest is academic.

—Urayoán Noel, author of Hi-Density Politics and In Visible Movement: Nuyorican Poetry from the Sixties to Slam

“Between mornas & blues, between masato & bathtub gin, The Hunger in Our Eyes is a book of in-betweens that sets in motion an intercontinental vernacular, as funky as it is folksy & as ludic as it is informative, without resorting to any formula or formulating another ars poetica. Driven by historical, agricultural, musical, & gastronomical findings, Demick’s poetry discovers & multiplies, it digests, reverberates, & recasts. The thematic breadth of this collection—from the tapioca/manioc/yuca permutations to the “question everyone’s hurting to ask, but don’t want answered”—is deftly balanced by the poet’s tonal agility, reminding us of the rare qualities poetry can have when it’s written without a platform.”

—Joseph Mulligan, translator of Gustavo Faverón Patriau’s The Antiquarian and César Vallejo’s Against Professional Secrets

Jared Demick is 6’3”. He works at the University of Connecticut as a PhD student & the Assistant Director of the Creative Writing Program. He also edits The Jivin’ Ladybug: A Skewered Journal of the Arts. He has published poems in BlazeVOX, Sugar Mule, Long River Review, OMEGA, & Gastronomica. If stuck on a desert island, he hopes there would a case of Yuengling & Simpsons reruns.

Book Information:

· Paperback: 102 pages

· Binding: Perfect-Bound

· Publisher: BlazeVOX [books] 

· ISBN: 978-1-60964-183-2



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The Landfill Dancers by Mary Kasimor Now Available!


In The Landfill Dancers, Mary Kasimor feasts and fetes us on precision in freedom and pleasure in disequilibrium via “sounds to dream” and “unspeakable/art that reflect[s] ourselves.” An organic whole of refined beauty and sophistication, these lapidary artifacts of rigorous & disciplined experimentation offer a dazzling array of delicate yet potent expansions of lyric’s intellectual, aesthetic, & emotional potential via a web of variations on Kasimor’s invented forms, crafted and turned to frameworks of implication as sharp and graceful as razor wire lace. Rich with “the sound of broken beauty,” “tight and magnificent” as a futuristic skyline of architectural masterworks, these expectation-defying constructs manage to be both whimsical and sound. Like the gleaming city-scape of an idealized future, The Landfill Dancers is populated by one perfectly executed and imaginatively liberated structure after another, adding up to a remarkable whole that is diverse yet unified, richly textured, and precise – a sharp and soaring verbal landscape to study and admire.

—Susan Lewis, author of How to be Another

Woven, organic typographies, project lullaby hallucinations in the library. Squeeze dioxides of anatomic losses, wounding the quiet blood of the afternoon naps, born of cotton innocence. Survival with no music, a piano plays the brain. Mary Kasimor makes a mannequin smile on a day of daffodils, of many colored techno screams, a young machine running into the forest needing creation, as bone and skin and minutes slip from the shoulder. The Landfill Dancers: I’d copy here all of those lines. This poetry’s the stuff.

—Jared Schickling, author of The Pink

Monks, nuns, crows, saints, mimes, phantom fire-eaters, dogs, and "selves without a string" dance through the surreal pastoral of a postmodern world. Human and other animate bodies eat, scatter, dream, reflect, and sing in a fugue of fragmented voices. In this memorable collection, Mary Kasimor enacts an "image drama" and "performance burlesque" across every poetic line, surprising the reader with a new "species of FORM." Watch your step because The Landfill Dancers will take you where the wild is always open.

—Craig Santos Perez, author of from unincorporated territory

Mary Kasimor has been most recently published in Yew Journal, Big Bridge, Certain Circuits, MadHat, The Bakery, Altered Scale, Horse Less Review, Word For/Word, Posit, and The Missing Slate. She received a Fellowship from US Poets in Mexico for the 2011 Conference. She has had several books of poetry published including Silk String Arias (BlazeVOX Books), & Cruel Red (Otoliths Books) and The Windows Hallucinate (LRL Textile Series).

Book Information:

· Paperback: 72 pages

· Binding: Perfect-Bound

· Publisher: BlazeVOX [books] 

· ISBN: 978-1-60964-173-3



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The Electric Affinities by Wade Stevenson reviewed



A book worth reading for the life lessons it recalls, in spite of the ironic fact that the protagonists of this story, by nature of their privileged circumstances, seemed to have been largely exempted from the initiations of life’s burdens and responsibilities at this point in their lives.  It’s the reader’s own hindsight that completes this portrait of an era, set in the summer of 1969. The story revolves around the emotions, observations and uninhibited interactions of a group of young and casual socialites that come together in the Hamptons-Sag Harbor scene and end up hashing out their attractions, impulsive philosophies of man-woman relationships, daydreaming and experimenting with a degree of urgency.

The notion of any memoir of what it was like to be young and engaged in the summer of 1969 gets confused with the grandiosity of myths about the counterculture. But here, the author assures us that being an unformed romantic youth, full of yearning and naïve aspirations, self-indulgent and ardently single-minded,  was no different then, than it is now. Friends give you trouble instead of companionship and family seems indifferent to your real métier.

The narrative flow in this novel reminded me of watching an Eric Rohmer film! Here are the quotidian moments of hanging out on the beach but contemplating the attainment of being elsewhere, moving around at vacation pace, but psychologically sprinting. They strain to be intelligent and articulate, winning over the admiration of their peers, but they frequently fail to live up to their own desires to connect with each other.  There is the contrast between what the characters say and what they are actually doing, and how things turn out, that fuels the drama.

I gave it 5 stars because it’s a great study in social collisions, one which perfectly describes why the baby boomers were also wistfully dubbed the me generation.

— Jane Stevenson

Check out the book here 

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