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HUMAN-CARRYING FLIGHT TECHNOLOGY by Christopher Shipman

Price: $16.00

HUMAN-CARRYING FLIGHT TECHNOLOGY Christopher Shipman BlazeVOX [books]

Christopher Shipman’s first book is strikingly unpretentious. In spite of its somewhat cold title, the poems are as warm as they come. Not afraid to elegize his dead grandmother who loved double-cheeseburgers or to remind us that humans urinate and “shit,” he writes calmly and beautifully about what reads like actual life, the speaker fluctuating seamlessly between the facts of imagination and those of the earth, recalling the childhood lusts that haunt the adult like a shameless ghost. And in spite of the subtitles that invoke the theatre, the poems in each section sound private, unadorned, free of exaggeration. If Shipman insists on a troupe, then it is made of ghosts, and his stage is fluid, not wooden. Ghosts do the oaring in most of these poems, ferrying us through the realm of “middle tone,” stirring the depths where love and death embrace. “Growing a tongue felt like dying,” he says in the poem “Death Writes Home” which echoes an earlier statement that naming is a form of killing. And yet, the poet uses rhetoric to escape the restricted view; the line goes on: “…by the way, but when I lean in to kiss / my beautiful bride she’s full of light.” Not only do these poems risk sentimentality, they risk stylistic honesty. The mode of delivery is not an eye-catching machine, but a mouth— once human, now spectral, now both.

—Larissa Szporluk, author of Isolato, winner of the Iowa Poetry Prize


Shipman’s debut collection is edgy, quirky, sharply observed, and evocative. Poem after poem draws us into a landscape familiar but odd, a world that pleasures and troubles. Shipman’s is one of the most exciting voices I’ve heard in ages.

—Rick Lott, author of The Apple Picker’s Children


There is a deep sadness in Christopher Shipman that needs poems the way a carnivore needs meat. He makes poems to feed his sadness, to appease insistent hunger. He's become a skilled cook of these soul-meals.

—Andrei Codrescu, author of Whatever Gets You through the Night: a Story of Sheherezade and the Arabian Entertainments


In “the steady ache of language” a picaresque (askew and bemused) I seeks ways of enlarging awareness and acceptance. How do I rise to life’s ongoing occasion? How do I see the other fully? How can I find my way to the largest vision? Human Carrying Flight Technology offers a rich, complicated, original and vivid collection of responses to these questions— open-ended and exciting poems. Inviting us to come with him on a necessary and strange trip, mapping the unsteady space of memory and desire with unusual intensity, Shipman’s work switches on the “whisper burner” to lift us up where the heart’s exquisite unreliability makes other worlds shimmer over and within our own.

—Laura Mullen, author of Dark Archive


Shipman peoples the woods of Human-Carrying Flight Technology with the bizarre mythological creatures of our lives: half-naked cousins, a neighbor named T-Loke, a vampire-loving grandmother, a guy in a snow man sweater vest, and we find ourselves spying on them as “the young neighbor / who sees what he likes and something he shouldn’t / and knows there is nothing in between.” For Shipman, getting the forbidden joy without the inevitable and irrevocable horror is not an option. He reveals “something small about the dream of the world” and, therefore, something large about its reality. A combination of, among others, Bruce Springstein and Frank Stanford, Christopher Shipman is a storyteller whose language enables us to make the lyric leap “from the porch into the sun.”

—Chris Tonelli, author of The Trees Around


Christopher Shipman lives in Baton Rouge, LA with his wife Sarah, his dog George, and
his two cats, Jack and Adele. He received a MFA in poetry from Louisiana State
University in 2009. His poems have appeared in literary journals such as Cimarron
Review, Exquisite Corpse, The Offending Adam, Pedestal, and Salt Hill, among many
others. Shipman is poetry editor for DIG Magazine of Baton Rouge and teaches at Baton
Rouge Community College.

Book Information:

· Paperback: 114 pages


· Binding: Perfect-Bound


· Publisher: BlazeVOX [books] 


· ISBN: 978-1-60964-081-1

$16



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